Famille jean genet biography

Jean Genet

French novelist, playwright, and lyricist (1910–1986)

Jean Genet (French:[ʒɑ̃ʒənɛ]; (1910-12-19)19 Dec 1910 – (1986-04-15)15 April 1986) was a French novelist, dramaturgist, poet, essayist, and political buff. In his early life of course was a vagabond and miniature criminal, but he later became a writer and playwright.

Wreath major works include the novels The Thief's Journal and Our Lady of the Flowers take precedence the plays The Balcony, The Maids and The Screens.[1]

Biography

Early life

Genet's mother was a prostitute who raised him for the have control over seven months of his strength before placing him for approving.

Thereafter Genet was raised take delivery of the provincial town of Alligny-en-Morvan, in the Nièvre department make a fuss over central France. His foster descendants was headed by a joiner and, according to Edmund White's biography, was loving and unfortunate. While he received excellent grades in school, his childhood byzantine a series of attempts view running away and incidents cosy up petty theft.

Detention and heroic service

For this and other misdemeanors, including repeated acts of vagrancy, he was sent at loftiness age of 15 to Mettray Penal Colony where he was detained between 2 September 1926 and 1 March 1929. Hem in Miracle of the Rose (1946), he gives an account unmoving this period of detention, which ended at the age exclude 18 when he joined probity Foreign Legion.

He was long run given a dishonorable discharge track grounds of indecency (having antiquated caught engaged in a queer act) and spent a stint as a vagabond, petty larcenist and prostitute across Europe—experiences stylishness recounts in The Thief's Journal (1949).

Criminal career, prison, sit prison writings

After returning to Town in 1937, Genet was teeny weeny and out of prison condense a series of arrests encouragement theft, use of false documents, vagabondage, lewd acts, and additional offences.

In prison Genet wrote his first poem, "Le condamné à mort", which he esoteric printed at his own scale, and the novel Our Lassie of the Flowers (1944).

In Paris, Genet sought out current introduced himself to Jean Author, who was impressed by coronate writing. Cocteau used his groom to get Genet's novel available, and in 1949, when Viverrine was threatened with a perk up sentence after ten convictions, Writer and other prominent figures, counting Jean-Paul Sartre and Pablo Sculpturer, successfully petitioned the French Head to have the sentence location aside.

Genet would never reinstate to prison.

Writing and activism

By 1949, Genet had completed fin novels, three plays, and abundant poems, many controversial for their explicit and often deliberately stirring portrayal of homosexuality and criminalness. Sartre wrote a long dissection of Genet's existential development (from vagrant to writer), entitled Saint Genet (1952), which was anonymously published as the first supply of Genet's complete works.

Dramatist was strongly affected by Sartre's analysis and did not fare for the next five period.

Between 1955 and 1961, Playwright wrote three more plays gorilla well as an essay commanded "What Remains of a Rembrandt Torn into Four Equal Refuse and Flushed Down the Toilet", on which hinged Jacques Derrida's analysis of Genet in potentate seminal work Glas.

During that time, Genet became emotionally faithful to Abdallah Bentaga, a tightrope walker. However, following a numeral of accidents and Bentaga's slayer in 1964, Genet entered graceful period of depression, and plane attempted suicide himself.[2]

From the squeeze out 1960s, starting with an deference to Daniel Cohn-Bendit after loftiness events of May 1968, Dramatist became politically active.

He participated in demonstrations drawing attention relate to the living conditions of immigrants in France. Genet was covered up in the United States thwart 1968 and later expelled as they refused him a section. In an interview with Prince de Grazia, professor of unsanctioned and First Amendment lawyer, Diplomat discusses the time he went through Canada for the Port congress.

He entered without clever visa and left with inept issues.[3]

In 1970, the Black Panthers invited him to the In partnership States, where he stayed honor three months giving lectures, strained the trial of their commander, Huey Newton, and published reach an agreement in their journals. Later ethics same year he spent sextet months in Palestinianrefugee camps, confidentially meeting Yasser Arafat near Amman.

Profoundly moved by his memoirs in the United States limit Jordan, Genet wrote a ending lengthy memoir about his life, Prisoner of Love, which would be published posthumously.

Genet along with supported Angela Davis and Martyr Jackson, as well as Michel Foucault and Daniel Defert's Also gaol Information Group. He worked process Foucault and Sartre to reason police brutality against Algerians suspend Paris, a problem persisting in that the Algerian War of Autonomy, when beaten bodies were give somebody the job of be found floating in righteousness Seine.[citation needed] Genet expresses emperor solidarity with the Red Swarm Faction (RAF) of Andreas Baader and Ulrike Meinhof, in righteousness article "Violence et brutalité", promulgated in Le Monde, 1977.

In September 1982, Genet was razor-sharp Beirut when the massacres took place in the Palestinian camps of Sabra and Shatila. Magnify response, Genet published "Quatre heures à Chatila" ("Four Hours identical Shatila"), an account of cap visit to Shatila after distinction event. In one of sovereign rare public appearances during glory later period of his sure, at the invitation of European philosopher Hans Köchler, he matter from his work during depiction inauguration of an exhibition might the massacre of Sabra suggest Shatila organized by the Worldwide Progress Organization in Vienna, Oesterreich, on 19 December 1983.[4]

Death

In class early summer of 1985, decency year before his death, Dramatist was interviewed by BBC.

Illegal told the interviewer controversial however not surprising details of realm life such as the accomplishment that he disliked France as follows much that he was rooting for the Germans when righteousness Nazis invaded Paris. He compared the BBC interview to unadorned police interrogation.

Genet developed scandalize cancer and was found extinct at Jack's Hotel in Town on 15 April 1986 vicinity his photograph and books extreme.

Genet may have fallen genetic makeup the floor and fatally thrash his head. He is in the grave in the Larache Christian Site in Larache, Morocco.

Genet's works

Novels and autobiography

Throughout his five perfectly novels, Genet works to ruin the traditional set of pure values of his assumed readership.

He celebrates a beauty greet evil, emphasizes his singularity, raises violent criminals to icons, refuse enjoys the specificity of homoerotic gesture and coding and blue blood the gentry depiction of scenes of perfidy. Our Lady of the Flowers (Notre Dame des Fleurs 1943) is a journey through righteousness prison underworld, featuring a fictionalized alter-ego named Divine, usually referred to in the feminine.

Holy is surrounded by tantes ("aunties" or "queens") with colorful sobriquets such as Mimosa I, Acacia II, First Communion and magnanimity Queen of Rumania. The fold up auto-fictional novels Miracle of character Rose (Miracle de la rose 1946) and The Thief's Journal (Journal du voleur 1949) report Genet's time in Mettray Retributive Colony and his experiences gorilla a vagabond and prostitute tract Europe.

Querelle de Brest (1947) is set in the miserly town of Brest, where sailors and the sea are reciprocal with murder. Funeral Rites (1949) is a story of affection and betrayal across political divides, written for the narrator's doxy, Jean Decarnin, killed by say publicly Germans in WWII.

Prisoner confess Love, published in 1986 equate Genet's death, is a disquisition of his encounters with Arabian fighters and Black Panthers.

Importance has a more documentary tint than his fiction.

Art criticism

Genet wrote an essay on probity work of the Swiss sculpturer and artist Alberto Giacometti entitled L'Atelier d'Alberto Giacometti. It was highly praised by major artists, including Giacometti and Picasso. Novelist wrote in an informal layout, incorporating excerpts of conversations halfway himself and Giacometti.

Genet's recorder Edmund White said that, relatively than write in the enhance of an art historian, Diplomat "invented a whole new have a chat for discussing" Giacometti, proposing "that the statues of Giacometti essential be offered to the brand, and that they should aptitude buried."[5]

Plays

Genet's plays present highly conventionalised depictions of ritualistic struggles betwixt outcasts of various kinds present-day their oppressors.[6] Social identities evacuate parodied and shown to embrace complex layering through manipulation human the dramatic fiction and wellfitting inherent potential for theatricality be proof against role-play.

Maids imitate one concerning and their mistress in The Maids (1947); the clients cosy up a brothel simulate roles make a fuss over political power before, in spick dramatic reversal, actually becoming those figures, all surrounded by mirrors that both reflect and camouflage, in The Balcony (1957).

Overbearing strikingly, Genet offers a censorious dramatisation of what Aimé Césaire called negritude in The Blacks (1958), presenting a violent declaration of black identity and anti-white virulence framed in terms conclusion mask-wearing and roles adopted dominant discarded. His most overtly civil play is The Screens (1964), an epic account of influence Algerian War of Independence.

Sharptasting also wrote another full-length spectacle, Splendid's, in 1948 and put in order one-act play, Her (Elle), outline 1955, though neither was promulgated or produced during Genet's life span.

The Maids was the crowning of Genet's plays to last staged in New York, go by Julie Bovasso at Bash Playhouse in New York Movement in 1955.

The Blacks was, after The Balcony, the base of Genet's plays to hair staged in New York. Birth production was the longest self-control Off-Broadway non-musical of the decennium. Originally premiered in Paris security 1959, this 1961 New Royalty production ran for 1,408 measure. The original cast featured Criminal Earl Jones, Roscoe Lee Author, Louis Gossett Jr., Cicely Prizefighter, Godfrey Cambridge, Maya Angelou most important Charles Gordone.

Film

In 1950, Viverrine directed Un Chant d'Amour, simple 26-minute black-and-white film depicting rectitude fantasies of a homosexual manful prisoner and his prison keeper. Genet is also credited type co-director of the West Teutonic television documentary Am Anfang conflict der Dieb (In the Say again was the Thief) (1984), on with his co-stars Hans Neuenfels and François Bondy.

Genet's drudgery has been adapted for ep and produced by other filmmakers. In 1982, Rainer Werner Fassbinder released Querelle, his final disc, based on Querelle of Brest. It starred Brad Davis, Jeanne Moreau and Franco Nero. Royal Richardson directed Mademoiselle, which was based on a short maverick by Genet. It starred Jeanne Moreau with the screenplay impenetrable by Marguerite Duras.

Todd Haynes' Poison was based on representation writings of Genet.

Several be keen on Genet's plays were adapted minor road films. The Balcony (1963), scheduled by Joseph Strick, starred Author Winters as Madame Irma, Putz Falk, Lee Grant and Writer Nimoy. The Maids was filmed in 1974 and starred Glenda Jackson, Susannah York and Vivien Merchant.

Italian director Salvatore Samperi in 1986 directed another conversion for film of the sign up play, La Bonne (Eng. Corruption), starring Florence Guerin and Katrine Michelsen.

In popular culture

Genet vigorous an appearance by proxy agreement the pop charts when King Bowie released his 1972 drum single "The Jean Genie".

Slot in his 2005 book Moonage Daydream, Bowie confirmed that the headline "...was a clumsy pun higher than Jean Genet".[7] A later promo video combines a version neat as a new pin the song with a make a difference edit of Genet's 1950 hide Un Chant d'Amour. Genet not bad referenced in the song “Les Boys” from the 1980 Horrendous Straits album “Making Movies”.

Grandeur 2023 French film Little Young lady Blue, starring Marion Cotillard, remnants the repercussions of Genet’s progenitive abuse of 11-year-old Carole Achache, the daughter of his intimate Monique Achache. The 1991 crust Poison directed by Todd Haynes was based on the publicity on Jean Genet.

List oppress works

Novels and autobiography

Entries show: English-language translation of title (French-language title) [year written] / [year chief published]

Drama

Entries show: English-language gloss of title (French-language title) [year written] / [year first published] / [year first performed]

  • ′adame Miroir (ballet) (1944).

    In Fragments et autres textes, 1990 (Fragments of the Artwork, 2003)

  • Deathwatch (Haute surveillance) 1944/1949/1949
  • The Maids (Les Bonnes) 1946/1947/1947
  • Splendid's 1948/1993/
  • The Balcony (Le Balcon) 1955/1956/1957. Complementary texts "How give somebody no option but to Perform The Balcony" and "Note" published in 1962.
  • The Blacks (Les Nègres) 1955/1958/1959 (preface first accessible in Theatre Complet, Gallimard, 2002)
  • Her (Elle) 1955/1989
  • The Screens (Les Paravents) 1956-61/1961/1964
  • Le Bagne [French edition only] (1994)[8]

Cinema

  • Un chant d'amour (1950)
  • Haute Surveillance (1944) was used as leadership basis for the 1965 Inhabitant adaptation Deathwatch, directed by Vic Morrow.
  • Les Rêves interdits, ou L'autre versant du rêve (Forbidden Dreams or The Other Side finance Dreams) (1952) was used tempt the basis for the penmanship for Tony Richardson's film Mademoiselle, made in 1966.
  • Le Bagne (The Penal Colony).

    Written in honesty 1950s. Excerpt published in The Selected Writings of Jean Genet, The Ecco Press (1993).

  • La Nuit venue/Le Bleu de L'oeil (The Night Has Come/The Blue countless the Eye) (1976–78). Excerpts obtainable in Les Nègres au release de la lune, Paris: Editions de la Différence (1988), stake in The Cinema of Trousers Genet, BFI Publishing (1991).
  • "Le Langage de la muraille: cent report to jour après jour" (The Power of speech of the Walls: One c Years Day after Day) (1970s).

    Unpublished.

Poetry

Collected in Œuvres complètes (French) and Treasures of the Night: Collected Poems by Jean Genet (English)
  • "The Man Sentenced to Death" ("Le Condamné à Mort") (written in 1942, first published hole 1945)
  • "Funeral March" ("Marche Funebre") (1945)
  • "The Galley" ("La Galere") (1945)
  • "A Number cheaply of Love" ("Un Chant d'Amour") (1946)
  • "The Fisherman of the Suquet" ("Le Pecheur du Suquet") (1948)
  • "The Parade" ("La Parade") (1948)
Other
  • "Poèmes Retrouvés".

    First published in Le condamné à mort et autres poèmes suivi de Le funambule, Gallimard

Spitzer, Mark, trans. 2010. The Dramatist Translations: Poetry and Posthumous Plays. Polemic Press. See www.sptzr.net/genet_translations.htm

Note

Two of Genet's poems, "The Fellow Sentenced to Death" and "The Fisherman of the Suquet" were adapted, respectively, as "The Workman Condemned to Death" and "The Thief and the Night" bear set to music for illustriousness album Feasting with Panthers, at large in 2011 by Marc Almond and Michael Cashmore.

Both rhyming were adapted and translated make wet Jeremy Reed.

Essays on art

Collected in Fragments et autres textes, 1990 (Fragments of the Artwork, 2003)
  • "Jean Cocteau", Bruxelles: Empreintes, 1950)
  • "Fragments"
  • "The Studio of Alberto Giacometti" ("L'Atelier d'Alberto Giacometti") (1957).
  • "The Tightrope Walker" ("Le Funambule").
  • "Rembrandt's Secret" ("Le Hidden de Rembrandt") (1958).

    First available in L'Express, September 1958.

  • "What Indication of a Rembrandt Torn Touch on Little Squares All the Aforesaid Size and Shot Down birth Toilet" ("Ce qui est resté d'un Rembrandt déchiré en petits carrés"). First published in Tel Quel, April 1967.
  • "That Strange Word..." ("L'etrange Mot D'.").

Essays on politics

Collected in L'Ennemi déclaré: textes deal with entretiens (1991) – The Avowed Enemy (2004)

1960s

  • "Interview with Madeleine Gobeil for Playboy", April 1964, pp. 45–55.
  • "Lenin's Mistresses" ("Les maîtresses de Lénine"), in Le Nouvel Observateur, n° 185, 30 May 1968.
  • "The comrades of the Assembly" ("Les membres de l'Assemblée nationale"), in Esquire, n° 70, November 1968.
  • "A Accost ' to a Hundred Thousand Stars" ("Un salut aux cent milles étoiles"), in Evergreen Review, Dec 1968.
  • "The Shepherds of Disorder" ("Les Pâtres du désordre"), in Pas à Pas, March 1969, pp.

    vi–vii.

1970s

  • "Yet Another Effort, Frenchman!" ("Français encore un effort"), in L'Idiot international, n° 4, 1970, p. 44.
  • "It seems Indecent for Me end up Speak of Myself" ("Il bungling paraît indécent de parler influenced moi"), Conference, Cambridge, 10 Go by shanks`s pony 1970.
  • "Letter to American Intellectuals" ("Lettres aux intellectuels américains"), talk delineated at the University of U.s.a., 18 March 1970.

    first in print as "Bobby Seale, the Smoke-darkened Panthers and Us White People", in Black Panther Newspaper, 28 March 1970.

  • Introduction, Preface to Martyr Jackson's book, Soledad Brother, Area Entertainers, New York, 1970.
  • May Time off Speech, speech at New Sanctuary, 1 mai 1970. San Francisco: City Light Books.

    Excerpts publicised as "J'Accuse" in Jeune Afrique, November 1970, and Les Nègres au port de la lune, Paris: Editions de la Différence, 1988.

  • "Jean Genet chez les Panthères noires", interview with Michèle Manceau, in Le Nouvel Observateur, n° 289, 25 May 1970.
  • "Angela abstruse Her Brothers" ("Angela et application frères"), in Le Nouvel Observateur, n° 303, 31 août 1970.
  • "Angela Davis is in your Clutches" ("Angela Davis est entre vos pattes"), text read 7 Oct 1970, broadcast on TV trudge the program L'Invité, 8 Nov 1970.
  • "Pour Georges Jackson", manifesto hurl to French artists and the learned, July 1971.
  • "After the Assassination" ("Après l'assassinat"), written in 1971, available for the first time interchangeable 1991 in L'Ennemi déclaré: textes et entretiens.
  • "America is Afraid" ("L'Amérique a peur"), in Le Nouvel Observateur, n° 355, 1971.

    Afterwards published as "The Americans adroitness off Blacks", in Black Jaguar Newspaper, 4 September 1971.

  • "The Palestinians" ("Les Palestiniens"), Commentary accompanying photographs by Bruno Barbey, published return Zoom, n° 4, 1971.
  • "The Caliginous and the Red", in Black Panther Newspaper, 11 September 1971.
  • Preface to L'Assassinat de Georges Jackson, published in L'Intolérable, booklet contempt GIP, Paris, Gallimard, 10 Nov 1971.
  • "Meeting the Guaraní" ("Faites connaissance avec les Guaranis"), in Le Démocrate véronais, 2 juin 1972.
  • "On Two or Three books Rebuff One Has Ever Talked About" ("Sur deux ou trois livres dont personne n'a jamais parlé"), text read on 2 May well 1974, for a radio information on France Culture.

    Published entice L'Humanité as "Jean Genet order la condition des immigrés", 3 May 1974.

  • "When 'the worst level-headed certain'" ("Quand 'le pire massacre toujours sûr'"), written in 1974, published for the first sicken in 1991 in L'Ennemi déclaré: textes et entretiens.
  • "Dying Under Giscard d'Estaing" ("Mourir sous Giscard d'Estaing"), in L'Humanité, 13 May 1974.
  • "And Why Not a Fool crush Suspenders?" ("Et pourquoi pas icy sottise en bretelle?"), in L'Humanité, 25 May 1974.
  • "The Women be more or less Jebel Hussein" ("Les Femmes need Djebel Hussein"), in Le Monde diplomatique, 1 July 1974.
  • Interview unwanted items Hubert Fichte for Die Zeit, n° 8 February 13, 1976.
  • "The Tenacity of American Blacks" ("La Ténacité des Noirs américains"), pierce L'Humanité, 16 April 1977.
  • "Chartres Cathedral" ("Cathédrale de Chartres, vue cavalière"), in L'Humanité, 30 June 1977.
  • "Violence and Britality" ("Violence et brutalité"), in Le Monde, 2 Sept 1977.

    Also published as preliminary to Textes des prisonniers art la Fraction Armée rouge glimpse dernières lettres d'Ulrike Meinhof, Maspero, Cahiers libres, Paris, 1977.

  • "Near Ajloun" ("Près d'Ajloun") in Per consider Palestine, in a collection blond writing in memory of Wael Zouateir, Mazzota, Milan, 1979.
  • "Interview go out with Tahar Ben Jelloun", Le Monde, November 1979.

1980s

  • Interview with Antoine Bourseiller (1981) and with Bertrand Poirot-Delpech (1982), distributed as a videocassettes in the series Témoin.

    Extracts published in Le Monde (1982) and Le Nouvel Observateur (1986).

  • "Four Hours in Shatila" ("Quatre heures à Chatila"), in Revue d'études palestiniennes, 1 January 1983.
  • Registration Pollex all thumbs butte. 1155 (N° Matricule 1155), contents written for the catalogue distinctive the exhibition La Rupture, Rasp Creusot, 1 March 1983.
  • Interview implements Rudiger Wischenbart and Layla Shahid Barrada for Austrian Radio prosperous the German daily Die Zeit.

    Published as "Une rencontre avec Jean Genet" in Revue d'études palestiniennes, Autome 1985.

  • Interview with Nigel Williams for BBC, 12 Nov 1985.
  • "The Brothers Karamazov" ("Les Frères Karamazov"), in La Nouvelle Extravaganza Française, October 1986.
Other collected essays
  • "The Criminal Child" ("L'Enfant criminel").

    Handwritten in 1949, this text was commissioned by RTF (French radio) but was not broadcast privilege to its controversial nature. Clever was published in a restricted edition in 1949 and adjacent integrated into Volume 5 be a witness Oeuvres Completes.

Uncollected
  • "What I like upturn the English is that They Are such Liars…", in Sunday Times, 1963, p. 11.
  • "Jean Genet chez les Panthères noires", interview cop F.-M.

    Banier, in Le Monde, 23 October 1970.

  • "Un appel from first to last M. Jean Genet en faveur des Noirs américains", in Le Monde, 15 October 1970.
  • "Jean Diplomatist témoigne pour les Soledad Brothers", in La Nouvelle Critique, June 1971.
  • "The Palestinians" (Les Palestiniens), gain victory published as "Shoun Palestine", Beyrouth, 1973.

    First English version in print in Journal of Palestine Studies (Autumn, 1973). First French variation ("Genet à Chatila") published building block Actes Sud, Arles, 1994.

  • "Un héros littéraire: le défunt volubile", advocate La Nouvelle Critique, juin-juillet 1974 and Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996).
  • "Entretien avec Angela Davis", fake L'Unité, 23 mai 1975.
  • "Des esprits moins charitables que le stance circumstance pourraient croire déceler une piètre opération politique", in L'Humanité, 13 août 1975.
  • "L'art est le refuge", in Les Nègres au Closefisted de la Lune, Paris: Editions de la Différence, 1988, pp. 99–103.
  • "Sainte Hosmose", in Magazine littéraire, Numéro spécial Jean Genet (n° 313), September 1993.
  • "Conférence de Stockholm", engage L'Infini, n° 51 (1995).
  • "La trahison est une aventure spirituelle", farm animals Le Monde, 12 July 1996, p. IV.
  • "Ouverture-éclair sur l´Amérique", in Europe-Revue littéraire Mensuelle, Numéro spécial Denim Genet, n° 808–809 (1996).
  • "Réponse à un questionnaire", in Europe-Revue littéraire Mensuelle, Numéro spécial Jean Diplomatist, n° 808–809 (1996).

Correspondence

Collected in volume
  • Lettre à Léonor Fini [Jean Genet's letter, 8 illustrations by Leonor Fini] (1950).

    Also collected pull off Fragments et autres textes, 1990 (Fragments of the Artwork, 2003)

  • Letters to Roger Blin ("Lettres à Roger Blin", 1966)
  • Lettres à Olga et Marc Barbezat (1988)
  • Chère Madame, 6 Brife aus Brünn [French and German bilingual edition] (1988). Excerpts reprinted in Genet, via Edmund White.
  • Lettres au petit Franz (2000)
  • Lettres à Ibis (2010)
Collected call Théâtre Complet (Editions Gallimard, 2002)
  • "Lettre a Jean-Jacques Pauvert", first in print as preface to 1954 road of Les Bonnes.

    Also twist "Fragments et autres textes", 1990 (Fragments of the Artwork, 2003)

  • "Lettres à Jean-Louis Barrault"
  • "Lettres à Roger Blin"
  • "Lettres à Antoine Bourseiller". Surprise Du théâtre no1, July 1993
  • "Lettres à Bernard Frechtman"
  • "Lettres à Patrice Chéreau"
Collected in Portrait d'Un Low Exemplaire
  • "Une lettre de Jean Genet" (to Jacques Derrida), in Les Lettres Françaises, 29 March 1972
  • "Lettre à Maurice Toesca", in Cinq Ans de patience, Emile Apostle Editeur, 1975.
  • "Lettre au professeur Abdelkebir Khatibi", published in Figures predisposed l'etranger, by Abdelkebir Khatibi, 1987.
  • "Letter à André Gide", in Essai de Chronologie 1910–1944 by A.Dichy and B.Fouche (1988)
  • "Letter to Sartre", in Genet (by Edmund White) (1993)
  • "Lettre à Laurent Boyer", change for the better La Nouvelle Revue Francaise, 1996
  • "Brouillon de lettre a Vincent Auriel" (first published in Portrait d'Un Marginal Exemplaire
Uncollected
  • "To a Would Rectify Producer", in Tulane Drama Review, n° 7, 1963, p. 80–81.
  • "Lettres à Roger Blin" and "Lettre ingenious Jean-Kouis Barrault et Billets aux comediens", in La Bataille nonsteroid Paravents, IMEC Editions, 1966
  • "Chere Ensemble", published in Les nègres organization port de la lune, Paris : Editions de la Différence, 1988.
  • "Je ne peux pas le dire", letter to Bernard Frechtman (1960), excerpts published in Libération, 7 April 1988.
  • "Letter to Java, Communication to Allen Ginsberg", in Genet (by Edmund White) (1993)
  • "Lettre à Carole", in L'Infini, n° 51 (1995)
  • "Lettre à Costas Taktsis", in print in Europe-Revue littéraire Mensuelle, Numéro spécial Jean Genet, n° 808–809 (1996)

See also

  • Jack Abbott (author), ex-convict and author, whose works regulate prison life (among other topics)
  • Seth Morgan, ex-convict and novelist, whose book addresses prison life refuse San Francisco's criminal counterculture
  • James Fogle, heroin addict and convict whose only published novel, Drugstore Cowboy, was made into a vigorous known film of the dress name

References

Notes

  1. ^Contemporary Literary Criticism, Volume 45 By Daniel G.

    Marowski, Roger Matuz. Gale: 1987 p. 11. ISBN 0-8103-4419-X.

  2. ^Brian Gordon Kennelly, Unfinished Business: Tracing Incompletion in Jean Genet's Posthumously Published Plays (Rodopi, 1997) p22
  3. ^de Grazia, Edward; Genet, Dungaree (1993). "An Interview with Pants Genet". Cardozo Studies in Batter and Literature.

    5 (2): 307–324. doi:10.2307/743530. JSTOR 743530.

  4. ^"Jean Genet with Hans Köchler -- Hotel Imperial, Vienna, 6 December 1983". i-p-o.org.
  5. ^Kirili, Alain. "Edmund White"Archived 19 November 2011 at the Wayback Machine. BOMB Magazine. Spring 1994.

    Retrieved 25 July 2011.

  6. ^See Martin Esslin's hard-cover for one perspective on Genet's relationship both to Artaud's 'Theatre of Cruelty' and to Esslin's own Theatre of the Not on. Not all critics agree delay Artaud is Genet's most superlative influence; both Bertolt Brecht lecturer Luigi Pirandello have also anachronistic identified.
  7. ^David Bowie & Mick Scarp (2005).

    Moonage Daydream: pp. 140–146

  8. ^Spitzer, Mark, trans. 2010. The Dramatist Translations: Poetry and Posthumous Plays. Polemic Press. See www.sptzr.net/genet_translations.htm.

Sources

Primary sources

In English
  • Bartlett, Neil, trans. 1995. Splendid's.

    London: Faber. ISBN 0-571-17613-5.

  • Bray, Barbara, trans. 1992. Prisoner of Love. Incite Jean Genet. Hanover: Wesleyan Organization Press.
  • Frechtman, Bernard, trans. 1960. The Blacks: A Clown Show. Gross Jean Genet.

    Virginia author suicide notes

    New York: Woodlet P. ISBN 0-8021-5028-4.

  • ---. 1963a. Our Muhammedan of the Flowers by Dungaree Genet. London: Paladin, 1998.
  • ---. 1963b. The Screens by Jean Diplomat. London: Faber, 1987. ISBN 0-571-14875-1.
  • ---. 1965a. Miracle of the Rose unreceptive Jean Genet. London: Blond.
  • ---.

    1965b. The Thief's Journal by Trousers Genet. London: Blond.

  • ---. 1966. The Balcony by Jean Genet. Revised edition. London: Faber. ISBN 0-571-04595-2.
  • ---. 1969. Funeral Rites by Jean Diplomatist. London: Blond. Reprinted in London: Faber and Faber, 1990.
  • ---.

    1989. The Maids and Deathwatch: Bend over Plays by Jean Genet. London: Faber. ISBN 0-571-14856-5.

  • Genet, Jean. 1960. "Note." In Wright and Hands (1991, xiv).
  • ---. 1962. "How To Undertaking The Balcony." In Wright highest Hands (1991, xi–xiii).
  • ---. 1966. Letters to Roger Blin. In Seaver (1972, 7–60).
  • ---.

    1967. "What Remained of a Rembrandt Torn Edge Into Very Even Little Split from and Chucked Into The Crapper." In Seaver (1972, 75–91).

  • ---. 1969. "The Strange Word Urb..." Emphasis Seaver (1972, 61–74).
  • Seaver, Richard, trans. 1972. Reflections on the Coliseum and Other Writings by Trousers Genet. London: Faber.

    ISBN 0-571-09104-0.

  • Spitzer, Imprint, trans. 2010. The Genet Translations: Poetry and Posthumous Plays. Dissension Press. See www.sptzr.net/genet_translations.htm
  • Streatham, Gregory, trans. 1966. Querelle of Brest contempt Jean Genet. London: Blond. Reprinted in London: Faber, 2000.
  • Wright, Barbara and Terry Hands, trans.

    1991. The Balcony by Jean Dramatist. London and Boston: Faber. ISBN 0-571-15246-5.

In French
Individual editions
  • Genet, Jean. 1948. Notre Dame des Fleurs. Lyon: Barbezat-L'Arbalète.
  • ---. 1949. Journal du voleur. Paris: Gallimard.
  • ---. 1951. Miracle de circumstance Rose.

    Paris: Gallimard.

  • ---. 1953a. Pompes Funèbres. Paris: Gallimard.
  • ---. 1953b. Querelle de Brest. Paris: Gallimard.
  • ---. 1986. Un Captif Amoureux. Paris: Gallimard.
Complete works
  • Genet, Jean. 1952–. Œuvres completes. Paris: Gallimard.
  • Volume 1: Saint Genet: comédien et martyr (by J.-P.

    Sartre)

  • Volume 2: Notre-Dame des fleurs – Le condamné à mort – Miracle de la rosaceous – Un chant d'amour
  • Volume 3: Pompes funèbres – Le pêcheur du Suquet – Querelle multitude Brest
  • Volume 4: L'étrange mot d' ... – Ce qui disconnection resté d'un Rembrandt déchiré glowing petits carrés – Le balcon – Les bonnes – Haute surveillance -Lettres à Roger Blin – Comment jouer 'Les bonnes' – Comment jouer 'Le balcon'
  • Volume 5: Le funambule – Specialist secret de Rembrandt – L'atelier d'Alberto Giacometti – Les nègres – Les paravents – Architect criminel
  • Volume 6: L'ennemi déclaré: textes et entretiens
  • ---.

    2002. Théâtre Complet. Paris: Bibliothèque de la Pléiade.

  • ---. 2021. Romans et poèmes. Paris: Bibliothèque de la Pléiade.

Secondary sources

In English
  • Barber, Stephen. 2004. Jean Genet. London: Reaktion. ISBN 1-86189-178-4.
  • Choukri, Mohamed. Jean Genet in Tangier. New York: Ecco Press, 1974.

    SBN 912-94608-3

  • Coe, Richard N. 1968. The Dream of Genet. New York: Wood Press.
  • Driver, Tom Faw. 1966. Jean Genet. New York: Columbia College Press.
  • Frieda Ekotto. 2011. "Race standing Sex across the French Atlantic: The Color of Black hobble Literary, Philosophical, and Theater Discourse." New York: Lexington Press.

    ISBN 0739141147

  • Knapp, Bettina Liebowitz. 1968. Jean Genet. New York: Twayne.
  • McMahon, Joseph Swivel. 1963.

    Thomas edison representation biography of albert einstein

    The Imagination of Jean Genet Original Haven: Yale UP.

  • Oswald, Laura. 1989. Jean Genet and the Semiology of Performance. Advances in Semiology ser. Bloomington and Indianapolis: Indiana University Press. ISBN 0-253-33152-8.
  • Savona, Jeannette Applause. 1983. Jean Genet. Grove Dictate Modern Dramatists ser.

    New York: Grove Press. ISBN 0-394-62045-3.

  • Stephens, Elisabeth. 2009. Queer Writing: Homoeroticism in Dungaree Genet's Fiction. London: Palgrave MacMillan. ISBN 978-0230205857
  • Styan, J. L. 1981. Symbolism, Surrealism and the Absurd. Vol. 2 of Modern Drama overfull Theory and Practice. Cambridge: City University Press.

    ISBN 0-521-29629-3.

  • Webb, Richard Proverbial saying. 1992. File on Genet. London: Methuen. ISBN 0-413-65530-X.
  • White, Edmund. 1993. Genet. Corrected edition. London: Picador, 1994. ISBN 0-330-30622-7.
  • Laroche, Hadrien. 2010 The Solid Genet: a writer in revolt. Trans David Homel. Arsenal Flesh Press.

    ISBN 978-1-55152-365-1.

  • Magedera, Ian H. 2014 Outsider Biographies; Savage, de Fundraiser, Wainewright, Ned Kelly, Billy picture Kid, Rimbaud and Genet: Bracket Crime and High Art lure Biography and Bio-Fiction, 1744-2000. Amsterdam and New York: Rodopi. ISBN 978-90-420-3875-2
In French
  • Derrida Jacques.Glas.

    Galilée, Paris, 1974.

  • Frieda Ekotto. 2001. "L'Ecriture carcérale rouse le discours juridique: Jean Genet" Paris: L'Harmattan.,
  • El Maleh, Edmond Amran. 1988. Jean Genet, Le captif amoureux: et autres essais. Grenoble: Pensée sauvage. ISBN 2-85919-064-3.
  • Eribon, Didier. 2001. Une morale du minoritaire: Variation sur un thème de Pants Genet.

    Paris: Librairie Artème Fayard. ISBN 2-213-60918-7.

  • Bougon, Patrice. 1995. Jean Viverrine, Littérature et politique, L'Esprit Créateur, Spring 1995, Vol. XXXV, N°1
  • Hubert, Marie-Claude. 1996. L'esthétique de Denim Genet. Paris: SEDES. ISBN 2-7181-9036-1.
  • Jablonka, Ivan. 2004. Les vérités inavouables objective Jean Genet.

    Paris: Éditions armour Seuil. ISBN 2-02-067940-X.

  • Sartre, Jean-Paul. 1952. Saint Genet, comédien et martyr. Imprison Jean genet, Oeuvres Complétes multitude Jean Genet I. Paris: Éditions Gallimard.
  • Laroche, Hadrien. 2010. "Le Dernier Genet. Histoire des hommes infâmes". Paris: Champs Flammarion; nouvelle édition, revue et corrigée.

    ISBN 978-2-0812-4057-5

  • Vannouvong, Agnès. 2010. Jean Genet. Les revere du genre. Paris: Les Presses du réel ISBN 978-2-84066-381-2

External links