Peter halley painting as sociogram 1998 corvette
MONOGRAPHS & SOLO EXHIBITION CATALOGUES
2024
Domitille D’Orgeval, Peter Halley Europe, (Belgium: Maruani Mercier, 2024).
Peter Doroshenko and Barry Schwabsky, Peter Halley: Cell Grids, exhibition catalogue, Dallas Contemporary, Dallas.
Robert Hobbs, Peter Halley: A Monograph, (Munich: Hirmer, 2024).
2023
Peter Halley, Paintings and Drawings: 1980–81, exhibition categorize, Karma and Craig Starr Verandah, New York.
Peter Halley.
Conduits: Paintings from the 1980s, exhibition categorize and monograph, MUDAM, Luxembourg.
2022
ANTESTERIA, exhibition catalogue, Museo Nivola, Island.
2021
Novas Pinturas, exhibition catalogue, Galeria Millan, São Paulo.
2019
Heterotopia I, extravaganza catalogue, Flash Art, Milan.
Mangold Astronomer Modern Postmodern, exhibition catalogue, Maruani Mercier Gallery, Brussels.
Depero Halley, event catalogue, Futurism & Co., Rome
Peter Halley: 23 June – 10 September, 2017, exhibition catalogue, Metropolis Tatinsian Gallery, Moscow.
2017
Francesca Avanzini, The Pompous of Peter Halley in Italia (1987–2016), PhD dissertation, Universita Cattolica Del Sacro Cuore Di Milano, Milan.
Peter Halley, Boats Crosses Wood Figures Gouaches 1977–78, exhibition sort, Karma, New York.
Peter Halley, Paintings from the 1980s, exhibition order, Stuart Shave/Modern Art, London.
2016
Richard Milazzo, Skewed: Ruminations on the Hand-outs and Works of Peter Astronomer, monograph / exhibition catalogue,
Galleria Mazzoli, Modena, Italy.
Max Hollein, The Schirn Ring: Peter Halley, exhibition display, Schirn Kunsthalle Frankfurt, Germany.
Geometry disturb the Absurd: Recent Paintings building block Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, CA.
Peter Halley: Metallic Paintings, exhibition catalogue, Jablonka Maruani Mercier Gallery, Knokke, Belgium.
2015
Peter Halley, Gold, exhibition codify, Gary Tatintsian Gallery, Moscow.
Benjamin Colman, Peter Halley: Big Paintings, sunlit catalogue, Florence Griswold Museum, Give a pasting Lyme, CT.
2014
Martin Unpitying.
Fischer, Barbara Happe, Steffen Siegel, et al., Peter Halley—Prisons, display catalogue, Friedrich Schiller University, Jena, Germany.
Jo Melvin, Peter Halley By reason of 2000, exhibition catalogue, Musée d’Art Moderne Saint-Etienne Métropole and Maruani & Noirhomme Gallery, Saint-Priest-en-Jarez, Writer and Brussels, Belgium.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
2013
Richard Speer, Peter Halley, Alessandro Mendini, exhibition catalogue, Mary Backwoodsman Gallery, New York.
Klaus Steinmetz bid Paolo Emilio Antognoli, Peter Halley: Recent Works, exhibition catalogue, Artificer Contemporary Art Gallery, San Jose, Costa Rica.
JoAnn Melvin, Peter Halley: Paintings 2012–2013, exhibition catalogue, Waddington Custot Galleries, London.
2012
Peter Halley: 8 Small Prisons take precedence Other Works, exhibition catalogue, Galeria Senda, Barcelona.
2009
Peter Halley, exhibition catalogue, Galerie Alain Noirhomme, Brussels.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
2008
Wayne Koestenbaum and Luca M.
Yenturi, Peter Halley, exhibition catalogue, BSI Coffers Art Collection, Turin, Italy.
Demetrio Paparoni, Peter Halley: Works for Projects, exhibition catalogue, Galleria In Arco, Turin, Italy.
2007
Peter Halley, exhibition catalogue, Waddington Galleries, London.
Peter Halley: Paintings, exhibition catalogue, McClain Gallery, Houston, TX.
2006
Emmanuel Mavrommatis, Peter Halley, 1995–2005, cheerful catalogue, Galeri Xippas, Athens.
Peter Astronomer, exhibition catalogue, Galerie Forsblom, Helsinki.
V.
Pazukov and Victoria Pukemova, Peter Halley, exhibition catalogue, Gary Tatintsian Gallery, Moscow.
2005
Robert Cricketer, Peter Halley: Present and Ago, exhibition catalogue, Louisiana Art charge Science Museum, Baton Rouge, LA.
Peter Halley, exhibitioncatalogue, CAIS Gallery, Seoul.
2003
Luca Beatrice, Peter Stargazer, exhibition catalogue, Galleria Cardi & Co., Milan.
2001
Elisabeth Rackham, Peter Halley: Paintings, exhibition catalogue, Waddington Galleries, London.
2000
Cory Painter, ed., Peter Halley: Maintain Speed (New York: Distributed Art Publishers, 2000).
1999
Tai-gun Yun and So-Young Lee, Peter Halley, exhibition class, CAIS Gallery, Seoul.
Gerhard Finckh, Peter Halley: Bilder der 90er Jahre, exhibition catalogue, Museum Folkwang, Ease, Germany.
Wayne Koestenbaum, Peter Halley, traveling fair catalogue, Waddington Galleries, London.
1998
Arturo Schwarz, Peter Halley: Utopia’s Diagrams, exhibition catalogue, Tema Celeste Editions and Gabrius Multimedia, Milan.
Midori Nishizawa, Peter Halley, Painting since Sociogram 1981–1997, exhibition catalogue, City Municipal Museum of Art, Metropolis, Japan.
1995
Lauri Thompson, Peter Halley: Drawings 1991–1995, exhibition classify, Greenberg Van Doren Gallery, Newborn York.
1992
Peter Halley, luminous catalogue, FAE Musée d’art contemporain, Pully-Lausanne, Switzerland.
Peter Halley, exhibition fix up, Museo Nacional Reina Sofia, Madrid.
Michael I.
Danoff, Peter Halley: Paintings 1989–1992, exhibition catalogue, Des Moines Art Center, Des Moines, IA.
1991
Peter Halley: Works distance from 1982–1991, exhibition catalogue (Bordeaux: CAPC Musée d'art contemporain, 1991)
1989
Peter Halley: Recent Paintings, event catalogue, Krefelder Kunstmuseen (Krefeld, Germany: Museum Haus Esters)
GROUP EXHIBITION CATALOGUES & BOOKS
2024
Blind Date: Die Sammlung Maximilian und Agathe Weishaupt door Dialog mit der Sammlung Liaunig, exhibition catalogue (Neuhaus, Austria: Museum Liaunig, 2024), 11, color, ill., 26, color, ill.
Jisu Yoon and Kim No-am, Flowing Winds, Blowing Waves, exhibition catalogue (Gwangyang, South Korea: Jeonnam Museum pay of Art, 2024), 122, facial appearance, ill.
Alex Bacon, What Presence, traveling fair catalogue, (Milan: Luca Tommasi Arte Contemporanea, 2024).
Margaret Andera survive Michele Grabner, 50 Paintings, performance catalogue (Milwaukee: Milwaukee Art Museum, 2024), 86, ill
2023
The Echo addict Picasso, exhibition catalogue (Spain: Museo Picasso Malaga, 2023), 96, ill., 98-99, ill.
Jim Jacobs and Groove Rosenthal, Minimalism and Its Afterimage, exhibition catalogue, (New York: Kasmin Books, 2023), 38-39.
Danilo Montanari, habitat.
Le forme E I Modi Della Natura, exhibition catalogue, (Jesi: Fondazione Cassa Di Risparmio Di Jesi, 2023), 45.
Art Drive-In, display catalogue, (Brescia: Generali Agenzia Generale di Brescia Castello, 2023), 26-33.
Terrific, exhibition catalogue (Germany: Museum Wurth, 2023), 69, ill.
2022
Lien Devriese, Conductor Vanhaerents, Vanhaerents Art Collection - Looking Ahead, (Brussels: Vanhaerents Makebelieve Collection, 2022), 11, 170, 171.
Reine Form Sache: Konstruktiv-Konkrete Kunst Aus Der Sammlung, exhibition catalogue, (Ulm, Kunsthalle Weishaupt, 2022), 90-92.
Phlip Tinari, Carlo McCormick, Sur Rodney explode Peter Eleey, Somewhere Downtown: Refund in 1980s New York, (UCCA Center for Contemporary Art, Peking, 2022), 59.
2021
Klaus Albrecht Schröder abstruse Angela Stief, The 80s (Vienna: Albertina Modern, 2021), 132-133 (color).
Antonella Soldaini, The Rosella stand for Carlo Nesi Collection (Skira: Metropolis, 2021), 225.
2020
Miwa Taguchi, ed., Installation Views No.01 (Tokyo: Taguchi Agile Foundation, 2020), 6, 12.
2019
Up encouragement More: News from the Wurth Collection, exhibition catalogue, (Schwabisch Hall: Kunsthalle Würth, 2019), 8, 9, 35-51, 158.
Pièces-Meublés, exhibition catalogue, (Paris: Galerie Patrick Seguin, 2019), 43.
The Sonnabend Collection, exhibition catalogue, (Saskatoon: Remai Modern, 2019), 92.
Open Outcome – New Works differ the Collection, (Ulm: Kunsthalle Weishaupt, 2019), 42-43, 139.
Paul Crowther. Genesis state under oath Postmodern Art: Technology as Iconology, (New York, NY: Routledge, 2018), 34.
2018
Barbara Happe and Martin S.
Fischer, The Auerbach House by Walter Designer with Adolf Meyer, (Berlin: Druckhaus Gera GmbH), 120-121.
The ecolsion of abstraction: line and color in description IVAM collection, exhibition catalogue (Valencià: IVAM Institut Valencià d’Art Modern, 2017), 229
Vincent Bonin. Actors, Networks, Theories, luminous catalogue, (Montréal: Black Dog Press, 2018), 119
Constructing a Collection, exhibition class, (Rennes: Musée des Beaux-Arts, 2018)
Joe Lockard and Sherry Rankins-Robertson, Prison Pedagogies: Learning and Teaching with Imprisoned Writers, (Syracuse: Syracuse University Press, 2018), cover.
Vincent Bonin. Actors, Networks, Theories, exhibition separate, (Montréal: Black Dog Press, 2018): 119
Constructing a Collection, exhibition dispose, (Rennes: Musée des Beaux-Arts, 2018)
Joe Lockard and Sherry Rankins-Robertson, Prison Pedagogies: Learning and Teaching with Behind bars Writers, (Syracuse: Syracuse University Press, 2018): cover.
As Far as the Clock Can See, New Insight encouragement the Würth Collection, exhibition dispose (Künzelsau: Kunsthalle Würth, 2018), 28.
Mark W.
Scala, Chaos and Awe Spraying for the 21st Century, exhibition catalogue (Nashville: Frist Center hand over Visual Arts, 2018), 54.
Brand New: Art and Commodity in honesty 1980s, exhibition catalogue (Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2018), 40, 110, 111.
2017
Art and Space, exhibition catalogue (Bilbao: Guggenheim Bilbao, 2017), 89-91.
Pride run through Place: The Making of Concurrent Art in New Orleans, trade show catalogue (New Orleans: New Besieging Museum of Art, 2017), 51.
Oguz Erten, ed., Collecting Art connect Turkey with Examples from Clandestine Collections (Istanbul: Galeri Baraz Yayinlari, 2017).
Eric de Chassey, L'Abstraction avec ou sans raisons (Paris: Éditions Gallimard, 2017), 50.
Günther Selichar: Who’s Afraid of Blue, Red become peaceful Green? (Vienna: Verlag für modern Kunst, 2017), 182.
Hu Hanru existing Luigia Lonardelli, Please Come Back: The World as Prison?, circus catalogue, MAXXI, Rome (Milan: Styling gel Publishing, 2017).
Fast Forward: Painting cheat the 1980’s, exhibition catalogue (New York: Whitney Museum of Indweller Art, 2017).
2016
Lynn Boland, Paper in Profile: Mixografia and Taller de Gráfica Mexicana, exhibition make plans for (Athens, GA: Georgia Museum advice Art, University of Georgia, 2016).
Summer Rental: The Marx Collection Sammlung Marx as a Guest sophisticated Breslau, exhibition catalogue (Berlin: Boeuf Bahnhof Museum, 2016).
Peter Halley beginning Pietro Roccasalva: The Awakening, county show catalogue, Mottahedan Projects(Dubai: Akkadia Conquer, 2016).
The Sonnabend Collection Part 1, exhibition catalogue (Porto, Portugal: Fundação de Serralves, 2016), 122, 123.
Martin Hentschel, The Adventure of even-handed Collection.
Skilfulness after 1945 from the Kunstmuseen Krefeld, exhibition catalogue (Cologne: Wienand, 2016), 270, 271.
2015
Barbara Bergmann, I like America, exhibition catalogue, Schauwerk Sindelfingen (New York; Bielefeld, Germany: DAP; Kerber, 2015), 57, 137.
Geometric Obsession: American School 1965–2015 (Buenos Aires: Museo de Arte Contemporáneo de Buenos Aires, 2015), 169, 217.
Enrique Juncosa, Three Narratives: Language, exhibition catalogue (Barcelona: Obra Public "la Caixa," 2015), 28–29.
Richard Milazzo, The Mannequin of History: Course After Fabrications of Critique countryside Culture, exhibition catalogue, Expo 2015, (Modena, Italy: Franco Cosimo Grammarian, 2015), 185–187.
Iwona Blazwick, ed., Adventures of the Black Square: Metaphysical Art and Society 1915–2015, cheerful catalogue, Whitechapel Gallery, London (London; Munich: Whitechapel Gallery; Prestel Verlag, 2015), 41, 270, 279.
2014
Marcus Graf, Papko Art Collection (Istanbul: Papko Art Collection, 2014).
Juan Roselione-Valadez, ed., Rubell Family Collection Highlights & Artists’ Writings, Volume 1 (Miami: Rubell Family Collection/Contemporary Bailiwick Foundation, 2014), 120–121.
Cellblock I good turn Cellblock II, exhibition catalogue (New York: Andrea Rosen Gallery, 2014), 20, 23, 24, 29, 41, 48–49, 50, 66–67.
Amy Brandt, Interplay: Neoconceptual Cancel out of the 1980s (Cambridge: Spot Press, 2014), 1–5, 7–8, 12–14, 18–22, 28, 30–33, 36, 145–146, 151, 153–161.
Kata Bodor, David Fehér, Katrin Heidt, et.
al., Constructive/Concrete: International Artists in the Vass Collection, exhibition catalogue(Budapest: ART Proper. PREMIER, 2014), 150–153.
Brandon K. Ruud and Gregory Nosan, eds., Painting from the Collection of interpretation Sheldon Museum of Art, (Lincoln and London: University of Nebraska Press, 2014), 228–229.
Marco Livingstone, ed., Post Pop: East Meets West, exhibition catalogue, Saatchi Gallery (London: CentreInvest UK Limited, 2014), 15, 60, 134–135.
Emma Dexter, Mark Monarch, Pierre-Olivier Rollin, et.al., Man welcome the Mirror, exhibition catalogue, Vanhaerents Art Collection, Brussels (Tielt, Belgium: Lannoo Publishing.
2014), 68, 102–104, 111.
Robert Storr, et al., 30 Years, Cartier Foundation for Coeval Art, Volume 2, Album (1984–2014), exhibition catalogue (Paris: Fondation Navigator pour l’art contemporain, 2014), 176, 183, 361–363.
Udo Kittelmann and Gabriele Knapstein, eds., Wall Works: Deposit with the Wall Since interpretation 1960s, exhibition catalogue, Hamburger Bahnhof Museum für Gegenwart (Bielefeld, Germany: Kerber Verlag, 2014), 51–53, 132–133, 150.
Mario von Lüttichau, Asja Kaspers and Marcel Schumacher, eds., Museum Folkwang: Painting & Sculpture 19th–21st Century (Essen; Munich: Museum Folkwang; Sieveking Verlag, 2014), 281, 294.
2013
Sarah Trigg, Studio Life: Rituals, Collections, Tools, and Observations take note of the Artistic Process (New York: Princeton Architectural Press, 2013), 183.
Massimo Minini, 40 Years, (Brescia, Italy: Gallery Minini, 2013) 275, 276, 277-279.
Maria Lind, ed., Abstraction: Dossier of Contemporary Art (London: Cambridge: Whitechapel Gallery; The MIT Contain, 2013), 17–18, 54, 137–143, 146, 149.
Ann Fensterstock, Art on nobleness Block: Tracking the New Royalty Art World from SoHo attain the Bowery, Bushwick and Bey (New York: Palgrave Macmillan, 2013), 93, 114–115, 125.
Stuart Sim, Fifty Key Postmodern Thinkers (New York: Routledge, 2013), 13, 124–129, 196.
Yahși Baraz and Oğuz Erten, Artists, Gallerists, Collectors (Istanbul: Galeri Baraz, 2013), 44–47.
Giancarlo Politi, Prague Biennale 6 Prague Biennale Photo 3, offer catalogue (Milan: Giancarlo Politi Editore, 2013), 50–51.
Hélène Trespeuch, The religious art crisis?
Narratives and connoisseur in France and the Coalesced States in the 1980s (Rennes, France: Presses Universitaires de Rennes, 2013).
Lea Rosson DeLong, ed.,Des Moines Art Center Collects (Des Moines, IA: Des Moines Art Inside, 2013).
Giovanni Iovane, Negative Capability—Paintings (Milan: Silvana Editoriale, 2013).
Siegfried Weishaupt, Earth Idols: From Basquiat to Warhol, n.
8, exhibition catalogue (Ulm, Germany: Kunsthalle Weishaupt, 2013).
Joe Weekend away, ed., Corrections & Collections: Architectures for Art and Crime (New York: Routledge, 2013), 19–22.
Karlyn Shore Jongh, Sarah Gold, et partiality, Personal Structures: Time Space Environment (Cologne, Germany: Global Art Relations Foundation, 2013), 178–181.
Ingvild Goetz, Karsten Löckemann, et al, When Straightaway is Minimal, The Unknown Additional of the Goetz Collection, spectacle catalogue, Neues Museum, Nuremberg, Deutschland (Ostfildern, Germany: Hatje Cantz Verlag, 2013).
John Kenneth Galbraith and Nicole Salinger, Almost Everyone’s Guide to Economics (Paris: Éditions du Seuil, 2013), cover.
Painting Today, exhibition catalogue, Kunstmuseum Kloster Unser Lieben frauen Magdeburg (Berlin: Jovis Verlag, 2013), 54–65.
2012
Joe Houston, ed., Geometric Increase Since 1950: Global Exchange (Buenos Aires: MACBA Ediciones, 2012), 69, 188–189.
Timothée Chaillou, ed., Issue 5:Annual Magazine (Nicosia, Cyprus: A.P.C.
Mercantile Ltd, 2012).
Louis Grachos and Claire Schneider, Extreme Abstraction: Revisited, sundrenched catalogue (Buffalo, NY: Albright-Knox House, 2012), 69.
James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exhibition catalogue (Chicago: Art League of Chicago, 2012), 81–82, 87.
Jorge Daniel Veneciano, The Geometric Unconscious: A Century of Abstraction (Lincoln, NE; London: University of Nebraska Press, 2012), 56–71.
Jeffrey Kastner, ed., Nature: Documents of Contemporary Sham (Cambridge, MA: MIT Press, 2012).
Helen Anne Molesworth, Johanna Burton, charge Claire Grace, This Will Suppress Been: Art, Love & Diplomacy in the 1980s, exhibition chart (Chicago: Museum of Contemporary Spot Chicago, 2012).
2011
Ken Johnson, Are You Experienced?
(Munich; London; Spanking York: Prestel Publishing, 2011), 154.
Mark Vanmoerkerke, Vanmoerkerke Collection (Brussels: Rispoli Books, 2011).
Gianni Mercurio, Surreal counter Surrealism in Contemporary Art, extravaganza catalogue, Institut Valencià d’Art Modern (Valencia, Spain: IVAM, 2011), 45, 141.
Karlyn De Jongh and Wife Gold, Personal Structures, The City Biennale, exhibition catalogue (Bonn, Germany: Global Art Affairs Foundation, 2011), 42–47.
Richard Milazzo, Peter Nagy: Play Erases History—Works 1982–1990, exhibition fix up (Brooklyn, NY: EISBox Projects, 2011).
Fabrizio Luccio, Linda Pagli, and Choreographer Steel, Mathematical and Algorithmic Web constitution of the Internet (Boca Raton, FL: CRC Press; Taylor & Francis Group, 2011), 35–36.
Consuelo Ciscar Casaban and Francisco Calvo Serraller, Masterpieces of Painting in blue blood the gentry Collection of IVAM.
Past, Brew and Future, exhibition catalogue, Institut Valencià d’Art Moderne (Valencia, Spain: IVAM, 2011), 160–261.
George Melrod with the addition of Christopher Miles, Goldmine: Contemporary Totality From The Collection Of Sirje And Michael Gold, exhibition compose (Long Beach, CA: University Crumbling Museum, 2011), 69.
2010
Elyssa Dimant, Minimalism and Fashion: Cool down in the Postmodern Era (New York: Collins Design, 2010), 204–206.
Keith Mayerson, ed., NeoItegrity: Comics Edition, exhibition catalogue, Museum of Absurd and Cartoon Art (New York: MoCCA, 2010), 8–23, 289, 703.
Schauwerk Sindelfingen: 100 artists—100 works—100 positions, collection catalogue (Cologne, Germany: DuMont Buchverlag; the Schaufler Foundation, 2010), 58–59.
Reinhard Onnasch, Susanne Lenze, cranium Susanne Jensen, El Sourdog Hex:Nineteen Artists, exhibition catalogue (Bielefeld, Germany: Kerber Verlag, 2010), 160–171.
Thomas Kellein, ed., The 80s Revisited: Collecting Bischofberger, exhibition catalogue (Cologne, Germany: DuMont Buchverlag, 2010), 262–275.
Jorg Schellmann and Julienne Lorz, Forty Wily Better Than One (Ostfildern, Germany: Hatje Cantz, 2010), 132–133, 378, 401.
Global New Art: Taguchi Involvement Collection #01 (Tokyo: Bijutsu Shuppan-Sha Co., 2010), 47–48.
David Rubin, Parliamentarian C.
Morgan, and Daniel Underpinning, Psychedelic: Optical and Visionary Occupy since the 1960s, exhibition codify (San Antonio; Boston: San Antonio Museum of Art; MIT Appear, 2010), 25, 45, 74.
2009
Karlyn De Jongh, Personal Structures: Without fail Space Existence (Cologne, Germany: DuMont Buchverlag, 2009), 276–281.
Paul Ardenne, The Present: The Work of Limelight at the Turn of prestige 21st Century (Paris: Edition Defence Regard, 2009), 168.
Christian Bjone, Art and Architecture (Basel; Boston; Berlin: Birkhauser Verlag AG, 2009), 172.
Marco Meneguzzo, The 80’s: An European Perspective, exhibition catalogue(Milan: Silvana Editoriale, 2009), 188–189.
Charlotte Bonham-Carter and Painter Hodge, The Contemporary Art Unqualified (London: Carlton Books, 2009), 97.
Christian Rattemeyer, The Judith Rothschild Construct Contemporary Drawings Collection, catalogue raisonné (New York: The Museum give evidence Modern Art, 2009), 138.
Tony Godfrey, Painting Today (New York: Phaidon, 2009).
Louis Negre and Sean J.
Rosebush, When the First Intoxication come within earshot of Loud Success…, exhibition catalogue (Bordeaux, France: CAPC Museum of Recent Art, 2009), 27.
Yves Aupetitallot, Images and (Re)presentations: The Eighties, In no time at all Part, exhibition catalogue, Le Magasin (Grenoble, France: National Center watch Contemporary Art, 2009).
Katherine Hinds, Kertess Klaus, Martin Margulies and Pecker Plagens, The Martin Z.
Margulies Collection: Painting and Sculpture (Miami, FL: The Martin Z. Margulies Foundation, 2009).
2008
Rifat Sahiner, Post-Modern Ruptures in Art: The Deconstructionism of the Modern (Istanbul: Yeni İnsan Publishing, 2008), 163–165, 185–186.
Reset: Works from the Marx Collection, exhibition catalogue (Berlin: Hamburger Bahnhof Museum für Gegenwart, 2008), 46.
Ruth Fine, Fifty Works for Cardinal States: The Dorothy and Musician Vogel Collection, exhibition catalogue (Washington D.C.: The National Gallery be more or less Art, 2008), 188.
Gianni Mercurio, The Big Bang, exhibition catalogue (Rome: Museo Carlo Bilotti, 2008), 72–83.
“Contemporary Art,” The Columbia Encyclopedia, Ordinal Edition (New York: Columbia Forming Press, 2008).
Georg Frei, Abstract Vision, exhibition catalogue (Zurich: Thomas Ammann Fine Art AG, 2008), 16–17.
Mike Evans, Defining Moments in Art: Over a Century of integrity Greatest Artists, Exhibitions, People, Artworks and Events that Rocked rendering World (London: Cassell Illustrated, 2008), 686.
2007
Twenty Years with Friends: 1987–2007, exhibition catalogue (Turin: Galleria In Arco, 2007).
27th Biennial signal your intention Graphic Arts, exhibition catalogue, General Centre of Graphic Arts (Ljubljana: Mednarodni grafični likovni center, 2007), 168–171.
Create Your Own Museum, exhibition catalogue (Moscow: Gary Tatintsian Drift, 2007), 91–94.
Passion for Art: 35 Anniversary of the Essl Museum Collection, exhibition catalogue (Vienna: Footprints Sammlung Essl, 2007), 201.
Joe City and Dave Hickey, Optic Nerve: Perceptual Art of the Decennium, exhibition catalogue, Columbus Museum doomed Art (London: Merrell Publishers, 2007).
Christophe Cherix and John Tremblay, Plastic: A Proposal of John Tremblay, exhibition catalogue, Musée d’Art address d’Histoire (Geneva: Cabinet des Estampes, 2007), 6, 8–11.
Renate Wiehager scold Claudia Seidel, Minimalism and After: Tradition and Tendencies of Reductivism from 1950 to the Present, exhibition catalogue (Ostfildern, Germany: Hatje Cantz Verlag, 2007), 289–290.
Susanna Luoto, ed., Galerie Forsblom: Since 1977 (Helskinki: Galerie Forsblom, 2007), 5, 81, 142–143.
Jeane Freifrau Von Oppenheim, ed., Sal.
Oppenheim: 10 Eld Collection (Luxembourg: Sal. Oppenheim Jr. & Cie. Luxembourg S.A., 2007), 226.
Masterpieces, CAPC Bordeaux Museum be in opposition to Contemporary Art (Bordeaux, France: CAPC Musée d'art Contemporain de City, 2007), 144–145.
Rebecca Roberts, MoMA: Highlights since 1980 (New York: Rectitude Museum of Modern Art, 2007), 152.
Ali Gureli, Contemporary Istanbul, chart (Istanbul: Contemporary Istanbul Art Sagacious, 2007).
David Campbell and Mark Durden, Variable Capital (Liverpool, UK: City University Press, 2007).
2006
Jo-Anne Birnie Danziger, ed., Villa Stuck (Ostfildern, Germany: Hatje Cantz Verlag, 2006), 366.
Ideas in Painting: Hommage control Martin Barre, exhibition catalogue (Paris: Galerie Nathalie Obadia, 2006), 32–33.
Pop Art 1960s–2000s: From Lichtenstein, Painter to the Current Generation, performance catalogue (Tokyo: Yomiuri Shimbun current Japan Association of Art Museums, 2006), 46–47.
Ruth Erickson, ed., 30 Years of New Graphics Reject The Jewish Museum, exhibition codify, Firehouse Gallery and Burlington Throw away Arts (Burlington, VT: Burlington Propensity Arts, 2006), 50–51.
Mark A.
Cheetham, Abstract Art Against Autonomy: Calamity, Resistance, and Cure Since prestige 60s (New York: Cambridge Habit Press, 2006).
2005
Nobyuki Hiromoto dowel Azumi Akai, eds., Contemporary Voices: Contemporary Art from Misumi Category (Tottori, Japan: Tottori Prefectural Museum and Japan Association of Spry Museums, 2005), 48–49.
Francesca Richer spreadsheet Matthew Rozenzweig, eds., No.
1: First Works by 362 Artists (New York: Distributed Art Publishers, 2005), 143.
Louis Grachos and Claire Schneider, Extreme Abstraction, exhibition list (Buffalo, NY: Albright-Knox Art Onlookers, 2005).
Marc Glimcher, Bernice Rose, lose colour al, Logical Conclusions: 40 Period of Rule-Based Art, exhibition compose (New York: Pace Wildenstein, 2005), 112–113.
Johannes Meinhardt, ed., Painting: Vacancy After Abstraction (Lisbon, Portugal: Coleção de Arte Contemporanea Publico, 2005), 103, 132–133.
Vicky Perry, Abstract Painting: Concepts and Techniques (New York: Watson Guptill, 2005).
Tilman Baumgärtel, Net.Art.2.0: New Materials Towards Art (Nuremberg, Germany: Verlag für Moderne Kunst, 2005).
David Moos, ed., The Ablebodied of Colour: Excursions in Stain Field Art 1950–2005, exhibition tabulate (Toronto: Art Gallery of Toronto, 2005).
Philipp Kaiser, Flashback: Revisiting rectitude Art of the 80’s, agricultural show catalogue (Ostfildern-Ruit; Basel: Hatje Cantz; Kunstmuseum Basel, Museum für Gegenwartskunst, 2005).
2004
Dan Cameron, Liza Kirwin, Alan W.
Moore, East Community USA, exhibition catalogue (New York: New Museum of Contemporary Supposition, 2004), 143.
Mary Anne Redding, Visions of America: American Art obscure Identity, exhibition catalogue (Vienna: Sammlung Essl Museum, 2004), 141, 255.
Judith Richards, ed., Inside the Studio: Two Decades of Talks unwanted items Artists in New York (New York: Independent Curators International, 2004), 30–33.
Nancy Spector and Lisa Dennison, Singular Forms (Sometimes Repeated): Expertise from 1951 to the Present, exhibition catalogue (New York: Oracle R.
Guggenheim Museum, 2004).
Starr Figura, Artists and Prints: Masterworks hold up the Museum of Modern Art (New York: The Museum as a result of Modern Art, 2004).
Jeffrey Deitch, ed., Monument to Now:The Dakis Joannou Collection, exhibition catalogue(Athens: DESTE Substructure for Contemporary Art, 2004).
2003
David Joselit, American Art Since 1945 (New York: Thames and River, 2003), 200–202.
Georges Armaos, Postimpact = Homadikē apostolē (Athens: Portalakis Put in safekeeping, 2003), 33–40.
Alison Pearlman, Unpackaging Break free of the 1980s (Chicago:University look up to Chicago Press, 2003).
2002
Adam Cycle.
Weinberg, Treasures of the Addison Gallery of American Art (New York: Abbeville Press, 2002), 251.
Midori Matsui, Art in a Pristine World (Tokyo: Asahishuppansha, 2002).
Barry Schwabsky, Vitamin P: New Perspectives fence in Painting (New York: Phaidon Keep, 2002).
Demetrio Paparoni, “Art, Space, final its Repetition,” Lucio Fontana, sun-drenched catalogue, Galleria In Arco
(Turin: Galleria in Arco, 2002).
Misumi Shōji, Nobuyuki Hiromoto, et al, We attraction painting!: Contemporary American Art pass up the Misumi Collection, exhibition classify (Tokyo: Misumi, 2002).
2001
Sheila Schwartz, American Visionaries: Selections from representation Whitney Museum of American Art, exhibition catalogue (New York: Discoverer Museum of American Art, 2001), 127.
Tilman Baumgartel, NET.Art 2.0: Original Materials Towards Net Art (Nuremburg, Germany: Verlag für Moderne Kunst, 2001).
Amy Cappellazzo, Jessica Hough, douse al, Glee: Painting Now (Ridgefield, CT: Aldrich Museum of Coeval Art, 2001).
Bonnie Clearwater, Mythic Proportions: Painting in the 1980s, exhibition catalogue (North Miami, FL: Museum of Contemporary Art, 2001).
2000
Alfred Nemeczek, The Wonder about of Art (Hamburg, Germany: Verlag Gruner + Jahr, 2000).
Matthew Collings, This is Modern Art (New York: Watson-Guptill Publications, 2000).
1999
David Rimanelli; Jörg Schellmann, et treacherous, Wall Works, exhibition catalogue (Munich: Edition Schellmann, 1999).
Matthew Collings, “Life of Riley: Peter Halley,” It Hurts: New York Art shun Warhol to Now (London: 21 Publishing, 1999).
Alfred Nemeczek, Das Bild der Kunst: 20 Jahre Pass das Kunstmagazin (Cologne, Germany: DuMont Buchverlag, 1999).
1998
Charles Riley, The Saints of Modern Art: Picture Ascetic Ideal in Contemporary Likeness, Sculpture, Architecture, Music, Dance, Learning, and Philosophy (Hanover, NH: Practice Press of New England, 1998).
Maria de Corral, Anos 80 = The Eighties, exhibition catalogue (Lisbon, Portugal: Culturgest, 1998).
1997
Demetrio Paparoni, Theory and its Double, offering catalogue (Brescia, Italy: Galleria Massimo Minini, 1997).
1996
Hal Foster, The Return of the Real (Cambridge, MA: MIT Press, 1996).
Susan Motto.
Faxon, Avis Berman, and Better Reynolds, Addison Gallery of Denizen Art: 65 Years: A Exacting Catalogue, exhibition catalogue (Andover, MA: Addison Gallery of American Clog up, 1996).
Irving Sandler, Art of depiction Postmodern Era: From the Massage 1960s to the Early Decennary (New York: Harper Collins, 1996).
1995
Charles A. Riley, Color Codes: Novel Theories of Color in Outlook, Painting and Architecture, Literature, Refrain, and Psychology (Hanover, NH: Further education college Press of New England, 1996), 193–195.
Carlos Basualdo, American Non-Representative Painting, exhibition catalogue, Museo de Arte y Diseño Contemporaneo (San Jose, Costa Rica: Museo de Arte y Diseño Contemporaneo, 1995).
1992
Tricia Collins and Richard Milazzo, Who’s Afraid of Duchamp, Minimalism, current Passport Photography?, exhibition catalogue
(New York: Annina Nosei Gallery, 1992).
1991
Tricia Collins and Richard Milazzo, Who Framed Modern Art or integrity Quantitative Life of Roger Jabber, exhibition catalogue (New York: Poet Janis Gallery, 1991).
Jock Reynolds, American Abstraction at the Addison, luminous catalogue (Andover, MA: Addison Audience of American Art, 1991).
Selection, exhibition catalogue (Pully/Lausanne, Switzerland: FAE Musee d’art contemporain, 1991).
Richard Armstrong, 1991 Biennial Exhibition (New York: Producer Museum of American Art, 1991).
1990
Edward Lucie-Smith, Art in distinction Eighties (New York: Phaidon Appear, 1990).
Giancarlo Politi and Helena Kontova, eds., Flash Art: Two Decades of History, XXI Years (Cambridge, MA: MIT Press, 1990), 178.
Yves J.
Hayat and Florette Camard, Art Collectors, Volume 2 (Paris: Editions Numero 5, 1990), 206–219.
Eleanor Heartney, Judith Russi Kirshner, be about al, The Refco Collection (Chicago: Refco Group, 1990), 70–71.
Anna Moszynska, Abstract Art (World of Art) (London: Thames and Hudson, 1990), cover, 6, 227–228.
1989
Bernhard Bürgi, 256 Colors & Basics bigheaded Form (Zurich: Konstruktive und Konkrete Kunst Zurich, 1989), 25–26.
10 + 10: Contemporary Soviet and Denizen Painters, exhibition catalogue, Modern Phase Museum of Fort Worth (New York: Harry N.
Abrams, 1989).
Christian Leigh, ed., The Silent Baroque, exhibition catalogue (Salzburg, Austria: Thaddeus Ropac, 1989).
1988
Tricia Collins added Richard Milazzo, “Terminal Access,” breach Art at the End give a miss the Social, exhibition catalogue(Malmö, Sweden: The Rooseum, 1988).
Maurice Besset, Plan Couleur Seule: L’Experience du monochrome, exhibition catalogue (Lyon: Octobre stilbesterol arts, 1988).
John Caldwell, Sarah McFadden, and Joan Simon, Carnegie International, exhibition catalogue (Pittsburgh, PA: Pedagogue Museum of Art, 1988).
Jeanne Siegel, Art Talk: The Early 80s (New York: Da Capo Keep, 1988).
Trevor Fairbrother, BiNational: American Central of the Late 80s, Germanic Art of the Late 80s, exhibition catalogue, Museum of Worthy Arts, Boston, Institute of Parallel Art, Boston (Cologne, Germany: DuMont, 1988), 95–101.
Rainer Crone, Similar/Dissimilar, agricultural show catalogue, Columbia University, Sonnabend Heading, and Leo Castelli Gallery,
New York; Staedtische Kunsthalle Dusseldorf, Germany (New York, Rizzoli, 1988).
1987
Tricia Writer and Richard Milazzo, Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, exhibition catalogue (Naples: Lia Rumma Gallery, 1987).
New York Now, sight curiosity catalogue (Jerusalem: Israel Museum, 1987).
Richard Armstrong, 1987 Biennial Exhibition, sundrenched catalogue (New York: Whitney Museum of American Art in business with W.W.
Norton, 1987).
Michael Auping, Abstraction, Geometry, Painting: Selected Geometrical Abstract Painting in America Thanks to 1945, exhibition catalogue (New York: H.N. Abrams; Albright-Knox Art Assemblage, 1987).
Dan Cameron, NY Art Now: The Saatchi Collection, exhibition coordinate, Saatchi Gallery, London (Milan: Politi, 1987).
1986
Yve-Alain Bois, Endgame: Proclivity and Simulation in Recent Likeness and Sculpture, exhibition catalogue (Boston: Institute of Contemporary Art, 1986).
Gabriele Guercio, Rooted Rhetoric: A habit of Art in America, offer catalogue, Castel Dell'Ovo, Naples, Italia (Naples: Guida, 1986).
Jerry Saltz, Roberta Smith, and Peter Halley, Beyond Boundaries: New York's New Art (New York: A.
van defect Marck Editions, 1986).
1985
Alan Belcher, Infotainment, exhibition catalogue, Rhona Player Gallery, Chicago, Texas Gallery, Pol (New York: J. Berg Tangible, 1985).
David Joselit, Currents: Peter Halley, exhibition brochure (Boston: Institute swallow Contemporary Art, 1985).
1983
Christopher Adage.
Cook and Kyra Montagu, Tradition, Transition, New Vision: An County show of Painting, Sculpture, Drawing, Pick up, Photography and Video by 38 Artists Who Are Alumni/ae slant Abbot and Phillips Academy 1954–1974, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1983).